torsion, February 2024 - for one (or played simultaneously with other pieces)
anamnesis, January 2024 - for three or more
this is what we grasp, January 2024 - for two
tipping point, August 2023 - for four people
at noon, a net of light, July 2023 - for two or more people
gathering sticks (between sea and sky), March 2023 - for two, and a friend
by our faint shadows going before us, February 2023 - for three or more people
something in us grows lights and accepts everything more clearly, January 2023 - for four players
beside the whisper of waterfalls, January 2023 - for two guitars and sine tones
without content, exiled from my container, October 2022 - for two players
to see the landscape as it is when i am not there, August 2022 - for two players
this coincidence of the phantasm and the sign (nietzsche at turin), August 2022 - for three or more players
an extremely bright and effulgent light engulfed me, August 2022 - for two players
the door to the old garden left ajar, July 2022 - for four players, with an optional fifth
the air is a concealed yellow, June 2022 - for any number of players
on meeting again after a long absence, June 2022 - for one unamplified guitar
an inconsistent latency, June 2022 - for two players
practices in the imaginary, September 2018 through March 2019 - for any number of players
reading
transparencies
each day i must think of 20, 50 people
ghosts
trace of the divine
potentially together: one (July 2017) / two (November 2017) / three (August 2018) - for any number of players
proposal for a group, October 2017 - for any number of players
resonating time, radiating time, July 2017 - for any number of players
recursive retent (with Aaron Foster Breilyn), June 2016 - for two pianists (one piano)
so softly that it came, a wild dim chatter, meaningless, 2016 - for three or more players
transcription poems (full), 2014 - 2016 - for any number of players [in this version: amy golden, tim tsang, jordan dykstra, isaac aronson, leah levinson, fernando orellana
anamnesis, January 2024 - for three or more
this is what we grasp, January 2024 - for two
tipping point, August 2023 - for four people
at noon, a net of light, July 2023 - for two or more people
gathering sticks (between sea and sky), March 2023 - for two, and a friend
by our faint shadows going before us, February 2023 - for three or more people
something in us grows lights and accepts everything more clearly, January 2023 - for four players
beside the whisper of waterfalls, January 2023 - for two guitars and sine tones
without content, exiled from my container, October 2022 - for two players
to see the landscape as it is when i am not there, August 2022 - for two players
this coincidence of the phantasm and the sign (nietzsche at turin), August 2022 - for three or more players
an extremely bright and effulgent light engulfed me, August 2022 - for two players
the door to the old garden left ajar, July 2022 - for four players, with an optional fifth
the air is a concealed yellow, June 2022 - for any number of players
on meeting again after a long absence, June 2022 - for one unamplified guitar
an inconsistent latency, June 2022 - for two players
practices in the imaginary, September 2018 through March 2019 - for any number of players
reading
transparencies
each day i must think of 20, 50 people
ghosts
trace of the divine
potentially together: one (July 2017) / two (November 2017) / three (August 2018) - for any number of players
proposal for a group, October 2017 - for any number of players
resonating time, radiating time, July 2017 - for any number of players
recursive retent (with Aaron Foster Breilyn), June 2016 - for two pianists (one piano)
so softly that it came, a wild dim chatter, meaningless, 2016 - for three or more players
transcription poems (full), 2014 - 2016 - for any number of players [in this version: amy golden, tim tsang, jordan dykstra, isaac aronson, leah levinson, fernando orellana
