Composition
(last updated may 2019)
Some Pieces & Scores (drop-down list)
2019
practices in the imaginary: traces of the divine
practices in the imaginary: ghosts
practices in the imaginary: each day i must think of 20, 50 people
2018
practices in the imaginary: transparencies
practices in the imaginary: reading
practice (1)
2017
proposal for a group
for Curatorium 2017; out on Golden Spike Press, 'Propositional Attitudes: What do we do now?' (2018)
possible deltas, for Hannah Porter Occena
drifting patches
from Satie's Memories of an Amnesiac
resonating time, radiating time, for Ordinary Affects
potentially together (1)
shifting inflections (1)
other-texts (3 / OBJCTS)
other-texts (2 / WRMTH-SCRM)
other-texts (1 / AFB)
2016
a piece for leaves and ice (a piece for autumn)
stream, wind, reach
recursive retent (for piano duo)
composed with Aaron Foster Breilyn
the curve in between the edge of us and silence bent down to the muted floor (for two or more people)
so softly that it came, a wild dim chatter, meaningless (for three or more performers)
enormous pools kept opening around my hands (for solo reader)
co-incide
2015
residues no. 1: remembrances
residues no. 2: histories
residues no. 3: structures
residues no. 4: fragilities
residues no. 5: unfoldings
For string quartet: CD, residues (on FWD: rcrds)
transcription poems (cassette on Reading Group)
ruptures (for fl., cl., vln., vc., pno., vib.)
practices in the imaginary: traces of the divine
practices in the imaginary: ghosts
practices in the imaginary: each day i must think of 20, 50 people
2018
practices in the imaginary: transparencies
practices in the imaginary: reading
practice (1)
2017
proposal for a group
for Curatorium 2017; out on Golden Spike Press, 'Propositional Attitudes: What do we do now?' (2018)
possible deltas, for Hannah Porter Occena
drifting patches
from Satie's Memories of an Amnesiac
resonating time, radiating time, for Ordinary Affects
potentially together (1)
shifting inflections (1)
other-texts (3 / OBJCTS)
other-texts (2 / WRMTH-SCRM)
other-texts (1 / AFB)
2016
a piece for leaves and ice (a piece for autumn)
stream, wind, reach
recursive retent (for piano duo)
composed with Aaron Foster Breilyn
the curve in between the edge of us and silence bent down to the muted floor (for two or more people)
so softly that it came, a wild dim chatter, meaningless (for three or more performers)
enormous pools kept opening around my hands (for solo reader)
co-incide
2015
residues no. 1: remembrances
residues no. 2: histories
residues no. 3: structures
residues no. 4: fragilities
residues no. 5: unfoldings
For string quartet: CD, residues (on FWD: rcrds)
transcription poems (cassette on Reading Group)
ruptures (for fl., cl., vln., vc., pno., vib.)
|
compositions
stream, wind, reach (fall 2016)
(performed by andrew young, luke martin, devin gibbs, hallie smith, andrew harlan) November 4 2016 | Washington Street Art Center, Somerville, MA so softly that it came, a wild dim chatter, meaningless
(winter 2016) (performed by davy sumner, amy golden, ryan gaston, ben levinson) January 14 2017 | the wulf @ betalevel, Los Angeles, CA for leaves and ice, a piece for autumn (winter 2017)
(performed by sarah ayotomiwa pitan, luke martin, jane wang, devin gibbs, todd lerew) March 18 2017 | Washington Street Art Center, Somerville, MA residues no. 5: unfoldings (spring 2015)
(performed by jonathan tang, yvette holzwarth, joy yi, thea mesirow) January 8 2016 | recording from residues (FWD:rcrds), Santa Clarita, CA co-incide (spring 2016)
(performed by ben levinson) March 29 2016 | The Wild Beast, Santa Clarita, CA |
improvisation
rare frequency (dec 2016)
(luke martin, solo: no-input mixer, voice, electronics, objects) December 12 2016 | Live Radio Set, Rare Frequency WZBC, Boston, MA amy golden + luke martin (jan 2017)
(amy golden: voice, harmonica; luke martin: no-input mixer, cassette) January 13 2017 | Automata-LA, Los Angeles, CA andy young + luke martin (oct 2016)
(andy young: radio, screw, objects; luke martin: no-input mixer) October 29 2016 | Third Life Gallery, Somerville, MA morgan evans-weiler + luke martin (apr 2017)
(morgan evans-weiler: violin, electronics; luke martin: no-input mixer, cassettes) April ... | ... sinecure (feb 2016)
(andy young: laptop; ben levinson: turntable; luke martin: no-input mixer) February 23 2016 | The ROD, Santa Clarita, CA |
